Artist Statement
I grew up in the bayside suburbs of Brisbane, Australia with a speech impediment. My teenage years were spent watching and observing, as I was too embarrassed to speak. My inability to express myself during this time left an indelible mark on my personal history and has provided the impetus for my artistic enquiries. Therefore it is no surprise that my art practice is primarily about language and the modes of representation used to express and interpret personal experience.
Among the studio methodologies that I employ are the combination of traditional story telling writing with vernacular photography. The text and the images have no literal relationship and I am very careful to avoid any obvious connection between the two. I write personal stories then hand-cut the text out of the image. The removed letters from the image are collected and captured by the picture frame, sitting at the bottom of each image like fallen leaves creating an Autumnal scene where visible change has occurred and the picture and the figure are going through a transition. The text punctures the surface of the image disrupting the way we view and read the work. We can’t fully view the image because of the text and we can’t read the text without the image creating a constant back and forth between the two. When viewing the visual and textual oscillation between the two narrative devices that have no literal connection we find balance outside the picture frame in a new discursive space. It is through this collision of narrative and languages that unique interpretations of personal experience are built. I am interested in exploring spaces of meaning that are created when two or more narrative devices are blended.
In other works the letters are also glued directly onto the wall of the gallery to form recognizable but featureless figures. These installations explore how meaning and identity are generated through language. The individual letters (the building blocks of language) combine together to form a representation of a life that exists only through the formulation of language.
Recently I performed a stand-up ‘comedy’ routine as another vehicle for exploring story-telling and personal histories. The routine titled “Hello Newmarket Hotel” was performed at an ‘open mic’ night in front of a regular comedy audience. The aim was to recreate and recontextualize a particularly painful childhood memory while incorporating known ‘comedy’ tropes. This work along with my whole practice is interested in the role that photography, and other forms of narrative, plays in the construction of our identity and how personal histories are written and interpreted.
Bio
He was awarded his doctorate from Griffith University in 2018 and is the first year advisor for the Visual Arts Cluster and convenor of Photographic Art Practices at the Queensland College of Art/Griffith University. His works have been exhibited internationally at the Hong Kong Art Fair, Photo Paris, Hous Projects in New York and Photo LA. In Australia he has exhibited at the Museum of Old and New Art in Hobart, the Museum of Contemporary Art in Sydney and the Gallery of Modern Art in Brisbane. His work is held in the collections of the Queensland Art Gallery, Monash City Gallery, the Museum of Old and New Art, University of Queensland Art Museum, Artbank and private collections in Australia, Hong Kong, France and the United States.
He has been awarded the Veolia Prize, the Clayton Utz Travelling Scholarship and the Prometheus Award.
In 2008 he released a monograph titled, Martin Smith, photographs, In response to
CV
Represented by
Jan Murphy Gallery
www.janmurphygallery.com.au
Sophie Gannon Gallery, Melbourne
www.sophiegannongallery.com.au
Education
2018 Queensland College of Art/Griffith University
PhD Awarded.
Narrative in Contemporary Photographic Practice
2000 Queensland College of Art/Griffith University
Honours in Visual Art (photography)
1995 Queensland College of Art/Griffith University
Bachelor of Visual Art (photography)
Solo Exhibitions (selected)
2023 Feel Good Hit of the Summer, Jan Murphy Gallery, Brisbane
2022 Circle and Settle, Photo 2022, Res Artis Project Space, Melbourne
2021 I bet you think this show is about you, Sophie Gannon Gallery, Melbourne
2019 This is my Corner, Jan Murphy Gallery, Brisbane
2018, The Narrated Self, POP Gallery, Fortitude Valley, Brisbane
2018, The Only Option Available, Sophie Gannon Gallery, Melbourne
2016 That’s what tortures me Jan Murphy Gallery, Brisbane
2015 I’m sick of sittin round here tryin to write this book, Sophie Gannon Gallery, Melbourne
2014 More Sex Less Death, Ryan Renshaw Gallery, Brisbane
2013 We Exchanged Phone Numbers, United Photo Industries, Brooklyn USA and Australian Consulate, Manhattan USA
2012 The Hong Kong Art Fair with Ryan Renshaw Gallery
New work Sophie Gannon Gallery, Melbourne.
2011 The Perfect Price for Donny, Ryan Renshaw Gallery, Brisbane
Recent work, Gallery Ecosse, Exeter NSW
Artist in Residence, Turner Galleries, Perth
Photography I, Kickarts, Cairns QLD
2010 Until you comfort your father, Sophie Gannon Gallery, Melbourne
2009 My Jesus lets me tickle his belly (cat) Sophie Gannon Gallery, Melbourne
I am fortunate and bored (cat) Ryan Renshaw Gallery, Brisbane
2008 In response to using conversations with a therapist as a narrative devise (cat)
Ryan Renshaw Gallery
Nobody out there Centre for Contemporary Photography, Melbourne
In response to knowing when something is finished Stills Gallery, Sydney
2007 In response to being somebody else (cat) Queensland Centre of Photography
2006 In response to the boy on the train with the speech impediment
BlackLab Gallery, Brisbane
Group Exhibitions (selected)
2023 Percision, Metro Arts, Warwick Regional Gallery
2019 Photoville, Photography Festival, New York, USA
2017 Residency Exhibition, NARS, Brooklyn USA
2017 The Dust Never Settles University of Queensland Art Museum, Brisbane
2016 LOVE: More than a four letter word, Caboolture Regional Gallery, Queensland
2015 Cast by the sun: Queensland College of Art and Tyler School of Art, Philadelphia USA
View cutting edge: 21st Century Photography Monash City Art Gallery, Melbourne
2014 Episodes Dong Gang International Photography Festival, South Korea
Re-writing the image, Town Hall Gallery, Melbourne
Cast by the Sun, Queensland Photography, CRANE Arts, Philadelphia, USA
2011 MONA Opening Exhibition Hobart, Tasmania.
Sharing…Wespol Warsaw Academy of Fine Art, The Polish National School of Film and TV, Poland
2010 The state were in: Contemporary Queensland Photography UQ Art Museum
The Melbourne Art Fair, Melbourne Exhibition Building
2009 The Shilo project The Potter Museum, University of Melbourne, Melbourne.
Self-portrait prize University of Queensland Art Museum, Brisbane
Inheritance Australian Centre for Photography, Sydney
Q150; 150 years of Queensland Photography, Queensland Art Gallery, Brisbane
Family Guy Lake Macquaire Regional Gallery, Newcastle
I have not been feeling myself lately Queensland College of Art Gallery, Brisbane
New The University of Queensland Art Museum, Brisbane
2008 Paris Photo (with Stills Gallery) Paris, France
Under the influence; Art and Music QUT Art Museum, Brisbane
Typecast Sophie Gannon Gallery, Melbourne
Looking at others; the death project part one. Parramatta Artists Studios, Sydney
Photo LA (with Hous Projects) Santa Monica USA
KLM Paul Huf Award Foam_Fotograifiemuseum Amsterdam
Primavera 07 (cat) Samstag Museum, Adelaide
The Bon Scott Project (cat) Fremantle Arts Centre, Fremantle
2007 Elsewhere Nellie Casten Gallery, Melbourne
Human Hous Projects, New York City, USA
Primavera 07 (cat) Museum of Contemporary Art, Sydney
Photo LA (with Queensland Centre for Photography) Santa Monica USA
Josephine Ulrick and Win Schubert Photography Award Gold Coast
2006 Time…after time (cat) Kings ARI, Melbourne
Gallery Ryan Renshaw Christmas Show Gallery Ryan Renshaw, Brisbane
Commissions, Awards, Residencies
2018 Australia Council, New Work Grant
2018 Arts Queensland grant
2017 NARS Foundation Residency, Brooklyn, Starting October 2017
Australia Council New Work, Presentation Grant
2014Vibrant Laneways, Brisbane City Council
ArtBank Commission, QPAC
2012 Australia Council, Development grant for mid-career artists
2011 Prometheus Award winner
2010 Development and Presentation Grant from Arts Queensland
2008 Clayton Utz Traveling Scholarship
Violia Prize from the Museum of Contemporary Art, Sydney
Development and Presentation Grant from Arts Queensland
2006 Springfield Complex, Mural Mirvac Constructions
Elanora Public Library, Gold Coast City Council
2005 Artworkers Alliance, Small Grant
Artworkers Alliance, Gift for Japan Expo
Museum of Brisbane, Small talk
2004 Gadens Lawyers, 24 week artist in residence
Museum of Brisbane Portrait of the Valley as a young man
Museum of Brisbane, Hoardings project I just want some relief from myself
2001 The Promise Residency (6 months) Metro Arts
Collections
Queensland Art Gallery
Museum of Old and New Art (MONA)
University Art Museum, University of Queensland
Redlands City Gaqllery
Monash City Gallery
Artbank
Gadens Lawyers Brisbane and Sydney
Private Collections
Published Writing
2008 Where the citizens like to sit
‘Martin Smith; photographs; In response to…’
2004 painted light / malt lys
Deb Mansfield Camilla Birkeland, Catalogue Essay
2003 The White Album, Christopher Handran
Local Art issue 12
2001 Give and Take
Christopher Handran Catalogue Essay
Selected Bibliography (Catalogue Essays)
Craig, Gordon, 2010 The state we’re in – Contemporary Queensland Photography The University of Queensland Art Museum
Breikers Joseph, 2009 I am Fortunate and Bored Ryan Renshaw Gallery.
Hawker, Michael, 2009, 150 Years – Photography in Queensland from the Gallery’s Collection Queensland Art Gallery.
Martin-Chew Louise, 2009, Martin Smith – My Jesus lets me rub his belly Sophie Gannon Gallery.
Adlington Brett, 2009, Family Guy Lake Macquarie City Art Gallery.
Jones, Simone and Williams Megan, 2008, Martin Smith – Memory and Song Under the Influence [Art and Music], QUT Art Museum.
Stephans Jasmin, 2008, Bon Scott Project – A Curatorial Perspective Fremantle Arts Centre.
Neighbour Barbara, 2008, In Response to Conversations with a Therapist as a Narrative Devise Ryan Renshaw Gallery.
Hawker, Rosemary, 2008, Cut New, Selected recent acquisitions, UQ Art Museum.
Morrow, Christine, 2007, Martin Smith Primavera 07 Exhibition by Young Australian Artists, Museum of Contemporary Art.
Daw Robyn, 2007, Martin Smith – In Response to being someone else Queensland Centre of Photography.
Dean Bec, 2006, Temporal Spaces Chris Handran and Martin Smith, Kings ARI, Melbourne.
Handran Chris, 2004, City Views, Museum of Brisbane.
Allen-Cawte, Madeleine, 2004, Apperance and Artifice – The Politics of a Queensland Identity Sleight – Contemporary Queensland Photography, Queensland Centre of Photography.
Dabrowski Matt, 2004, Liebensrauming: Messenger of our being Martin Smith – You can give them a better life than I ever could, Perth Institute of Contemporary Arts.
Selected Bibliography (reviews)
Australian Art Collector, July – September 2010, Issue no. 53
Lee Georgina, Martin Smith – Until you comfort your father http://notquirecritics.wordpress.com/ Sept 2010
Banyan Marcus http://artblart.wordpress.com/2010/09/12/review-how-to-comfort-your-father-by-martin-smith-at-sophie-gannon-gallery-richmond/#comments Sept 2009.
Banyan Marcus, http://artblart.wordpress.com/2009/05/08/review-my-jesus-lets-me-rub-his-belly-exhibition-by-martin-smith-at-sophie-gannon-gallery-melbourne/ May 2008.
Makin Jeff, Martin Smith – My Jesus lets me rub his belly Herald-Sun, May, 2009.
Modra Penny, My Jesus lets me rub his belly The Age, May 3 2009, p22
Smith Martin Martin Smith – Artist Profile Artist Profile July 2009 p98
Foam International Photography Magazine, Talent Fall 2008 #16 p31
McKnight Lia, Bon Scott Project Runway Magazine Winter 2008 pp 80-83
Hoffie, Pat. Martin Smith’s first cut. Photofile, no. 82, Summer 2008, pp.34-37, col. ill. 36.
Antony Rachel, Careless Memories Poster 16 summer 07-08 p.47
Eltham Ben, In response to conversations with a therapist as a narrative devise Artlink Vol28 no2, 2008 p.91
Kidd, Courtney, Art for Life Limelight Sept 2007 pp37-38
Clement, Tracey Put back the Naughty Mag,Son Sydney Morning Herald 28 Sept 2007
Jasper Adam, Primavera Frieze Magazine Nov-Dec 2007
Bihan Anne, Livres: Theatre Correspondances Oceaniennes Nov 2007, pp.12-13
Am I Missing Something at Gadens, Lawyers Weekly, Issue 219, Friday 26 Nov 2004
I grew up in the bayside suburbs of Brisbane, Australia with a speech impediment. My teenage years were spent watching and observing, as I was too embarrassed to speak. My inability to express myself during this time left an indelible mark on my personal history and has provided the impetus for my artistic enquiries. Therefore it is no surprise that my art practice is primarily about language and the modes of representation used to express and interpret personal experience.
Among the studio methodologies that I employ are the combination of traditional story telling writing with vernacular photography. The text and the images have no literal relationship and I am very careful to avoid any obvious connection between the two. I write personal stories then hand-cut the text out of the image. The removed letters from the image are collected and captured by the picture frame, sitting at the bottom of each image like fallen leaves creating an Autumnal scene where visible change has occurred and the picture and the figure are going through a transition. The text punctures the surface of the image disrupting the way we view and read the work. We can’t fully view the image because of the text and we can’t read the text without the image creating a constant back and forth between the two. When viewing the visual and textual oscillation between the two narrative devices that have no literal connection we find balance outside the picture frame in a new discursive space. It is through this collision of narrative and languages that unique interpretations of personal experience are built. I am interested in exploring spaces of meaning that are created when two or more narrative devices are blended.
In other works the letters are also glued directly onto the wall of the gallery to form recognizable but featureless figures. These installations explore how meaning and identity are generated through language. The individual letters (the building blocks of language) combine together to form a representation of a life that exists only through the formulation of language.
Recently I performed a stand-up ‘comedy’ routine as another vehicle for exploring story-telling and personal histories. The routine titled “Hello Newmarket Hotel” was performed at an ‘open mic’ night in front of a regular comedy audience. The aim was to recreate and recontextualize a particularly painful childhood memory while incorporating known ‘comedy’ tropes. This work along with my whole practice is interested in the role that photography, and other forms of narrative, plays in the construction of our identity and how personal histories are written and interpreted.
Bio
He was awarded his doctorate from Griffith University in 2018 and is the first year advisor for the Visual Arts Cluster and convenor of Photographic Art Practices at the Queensland College of Art/Griffith University. His works have been exhibited internationally at the Hong Kong Art Fair, Photo Paris, Hous Projects in New York and Photo LA. In Australia he has exhibited at the Museum of Old and New Art in Hobart, the Museum of Contemporary Art in Sydney and the Gallery of Modern Art in Brisbane. His work is held in the collections of the Queensland Art Gallery, Monash City Gallery, the Museum of Old and New Art, University of Queensland Art Museum, Artbank and private collections in Australia, Hong Kong, France and the United States.
He has been awarded the Veolia Prize, the Clayton Utz Travelling Scholarship and the Prometheus Award.
In 2008 he released a monograph titled, Martin Smith, photographs, In response to
CV
Represented by
Jan Murphy Gallery
www.janmurphygallery.com.au
Sophie Gannon Gallery, Melbourne
www.sophiegannongallery.com.au
Education
2018 Queensland College of Art/Griffith University
PhD Awarded.
Narrative in Contemporary Photographic Practice
2000 Queensland College of Art/Griffith University
Honours in Visual Art (photography)
1995 Queensland College of Art/Griffith University
Bachelor of Visual Art (photography)
Solo Exhibitions (selected)
2023 Feel Good Hit of the Summer, Jan Murphy Gallery, Brisbane
2022 Circle and Settle, Photo 2022, Res Artis Project Space, Melbourne
2021 I bet you think this show is about you, Sophie Gannon Gallery, Melbourne
2019 This is my Corner, Jan Murphy Gallery, Brisbane
2018, The Narrated Self, POP Gallery, Fortitude Valley, Brisbane
2018, The Only Option Available, Sophie Gannon Gallery, Melbourne
2016 That’s what tortures me Jan Murphy Gallery, Brisbane
2015 I’m sick of sittin round here tryin to write this book, Sophie Gannon Gallery, Melbourne
2014 More Sex Less Death, Ryan Renshaw Gallery, Brisbane
2013 We Exchanged Phone Numbers, United Photo Industries, Brooklyn USA and Australian Consulate, Manhattan USA
2012 The Hong Kong Art Fair with Ryan Renshaw Gallery
New work Sophie Gannon Gallery, Melbourne.
2011 The Perfect Price for Donny, Ryan Renshaw Gallery, Brisbane
Recent work, Gallery Ecosse, Exeter NSW
Artist in Residence, Turner Galleries, Perth
Photography I, Kickarts, Cairns QLD
2010 Until you comfort your father, Sophie Gannon Gallery, Melbourne
2009 My Jesus lets me tickle his belly (cat) Sophie Gannon Gallery, Melbourne
I am fortunate and bored (cat) Ryan Renshaw Gallery, Brisbane
2008 In response to using conversations with a therapist as a narrative devise (cat)
Ryan Renshaw Gallery
Nobody out there Centre for Contemporary Photography, Melbourne
In response to knowing when something is finished Stills Gallery, Sydney
2007 In response to being somebody else (cat) Queensland Centre of Photography
2006 In response to the boy on the train with the speech impediment
BlackLab Gallery, Brisbane
Group Exhibitions (selected)
2023 Percision, Metro Arts, Warwick Regional Gallery
2019 Photoville, Photography Festival, New York, USA
2017 Residency Exhibition, NARS, Brooklyn USA
2017 The Dust Never Settles University of Queensland Art Museum, Brisbane
2016 LOVE: More than a four letter word, Caboolture Regional Gallery, Queensland
2015 Cast by the sun: Queensland College of Art and Tyler School of Art, Philadelphia USA
View cutting edge: 21st Century Photography Monash City Art Gallery, Melbourne
2014 Episodes Dong Gang International Photography Festival, South Korea
Re-writing the image, Town Hall Gallery, Melbourne
Cast by the Sun, Queensland Photography, CRANE Arts, Philadelphia, USA
2011 MONA Opening Exhibition Hobart, Tasmania.
Sharing…Wespol Warsaw Academy of Fine Art, The Polish National School of Film and TV, Poland
2010 The state were in: Contemporary Queensland Photography UQ Art Museum
The Melbourne Art Fair, Melbourne Exhibition Building
2009 The Shilo project The Potter Museum, University of Melbourne, Melbourne.
Self-portrait prize University of Queensland Art Museum, Brisbane
Inheritance Australian Centre for Photography, Sydney
Q150; 150 years of Queensland Photography, Queensland Art Gallery, Brisbane
Family Guy Lake Macquaire Regional Gallery, Newcastle
I have not been feeling myself lately Queensland College of Art Gallery, Brisbane
New The University of Queensland Art Museum, Brisbane
2008 Paris Photo (with Stills Gallery) Paris, France
Under the influence; Art and Music QUT Art Museum, Brisbane
Typecast Sophie Gannon Gallery, Melbourne
Looking at others; the death project part one. Parramatta Artists Studios, Sydney
Photo LA (with Hous Projects) Santa Monica USA
KLM Paul Huf Award Foam_Fotograifiemuseum Amsterdam
Primavera 07 (cat) Samstag Museum, Adelaide
The Bon Scott Project (cat) Fremantle Arts Centre, Fremantle
2007 Elsewhere Nellie Casten Gallery, Melbourne
Human Hous Projects, New York City, USA
Primavera 07 (cat) Museum of Contemporary Art, Sydney
Photo LA (with Queensland Centre for Photography) Santa Monica USA
Josephine Ulrick and Win Schubert Photography Award Gold Coast
2006 Time…after time (cat) Kings ARI, Melbourne
Gallery Ryan Renshaw Christmas Show Gallery Ryan Renshaw, Brisbane
Commissions, Awards, Residencies
2018 Australia Council, New Work Grant
2018 Arts Queensland grant
2017 NARS Foundation Residency, Brooklyn, Starting October 2017
Australia Council New Work, Presentation Grant
2014Vibrant Laneways, Brisbane City Council
ArtBank Commission, QPAC
2012 Australia Council, Development grant for mid-career artists
2011 Prometheus Award winner
2010 Development and Presentation Grant from Arts Queensland
2008 Clayton Utz Traveling Scholarship
Violia Prize from the Museum of Contemporary Art, Sydney
Development and Presentation Grant from Arts Queensland
2006 Springfield Complex, Mural Mirvac Constructions
Elanora Public Library, Gold Coast City Council
2005 Artworkers Alliance, Small Grant
Artworkers Alliance, Gift for Japan Expo
Museum of Brisbane, Small talk
2004 Gadens Lawyers, 24 week artist in residence
Museum of Brisbane Portrait of the Valley as a young man
Museum of Brisbane, Hoardings project I just want some relief from myself
2001 The Promise Residency (6 months) Metro Arts
Collections
Queensland Art Gallery
Museum of Old and New Art (MONA)
University Art Museum, University of Queensland
Redlands City Gaqllery
Monash City Gallery
Artbank
Gadens Lawyers Brisbane and Sydney
Private Collections
Published Writing
2008 Where the citizens like to sit
‘Martin Smith; photographs; In response to…’
2004 painted light / malt lys
Deb Mansfield Camilla Birkeland, Catalogue Essay
2003 The White Album, Christopher Handran
Local Art issue 12
2001 Give and Take
Christopher Handran Catalogue Essay
Selected Bibliography (Catalogue Essays)
Craig, Gordon, 2010 The state we’re in – Contemporary Queensland Photography The University of Queensland Art Museum
Breikers Joseph, 2009 I am Fortunate and Bored Ryan Renshaw Gallery.
Hawker, Michael, 2009, 150 Years – Photography in Queensland from the Gallery’s Collection Queensland Art Gallery.
Martin-Chew Louise, 2009, Martin Smith – My Jesus lets me rub his belly Sophie Gannon Gallery.
Adlington Brett, 2009, Family Guy Lake Macquarie City Art Gallery.
Jones, Simone and Williams Megan, 2008, Martin Smith – Memory and Song Under the Influence [Art and Music], QUT Art Museum.
Stephans Jasmin, 2008, Bon Scott Project – A Curatorial Perspective Fremantle Arts Centre.
Neighbour Barbara, 2008, In Response to Conversations with a Therapist as a Narrative Devise Ryan Renshaw Gallery.
Hawker, Rosemary, 2008, Cut New, Selected recent acquisitions, UQ Art Museum.
Morrow, Christine, 2007, Martin Smith Primavera 07 Exhibition by Young Australian Artists, Museum of Contemporary Art.
Daw Robyn, 2007, Martin Smith – In Response to being someone else Queensland Centre of Photography.
Dean Bec, 2006, Temporal Spaces Chris Handran and Martin Smith, Kings ARI, Melbourne.
Handran Chris, 2004, City Views, Museum of Brisbane.
Allen-Cawte, Madeleine, 2004, Apperance and Artifice – The Politics of a Queensland Identity Sleight – Contemporary Queensland Photography, Queensland Centre of Photography.
Dabrowski Matt, 2004, Liebensrauming: Messenger of our being Martin Smith – You can give them a better life than I ever could, Perth Institute of Contemporary Arts.
Selected Bibliography (reviews)
Australian Art Collector, July – September 2010, Issue no. 53
Lee Georgina, Martin Smith – Until you comfort your father http://notquirecritics.wordpress.com/ Sept 2010
Banyan Marcus http://artblart.wordpress.com/2010/09/12/review-how-to-comfort-your-father-by-martin-smith-at-sophie-gannon-gallery-richmond/#comments Sept 2009.
Banyan Marcus, http://artblart.wordpress.com/2009/05/08/review-my-jesus-lets-me-rub-his-belly-exhibition-by-martin-smith-at-sophie-gannon-gallery-melbourne/ May 2008.
Makin Jeff, Martin Smith – My Jesus lets me rub his belly Herald-Sun, May, 2009.
Modra Penny, My Jesus lets me rub his belly The Age, May 3 2009, p22
Smith Martin Martin Smith – Artist Profile Artist Profile July 2009 p98
Foam International Photography Magazine, Talent Fall 2008 #16 p31
McKnight Lia, Bon Scott Project Runway Magazine Winter 2008 pp 80-83
Hoffie, Pat. Martin Smith’s first cut. Photofile, no. 82, Summer 2008, pp.34-37, col. ill. 36.
Antony Rachel, Careless Memories Poster 16 summer 07-08 p.47
Eltham Ben, In response to conversations with a therapist as a narrative devise Artlink Vol28 no2, 2008 p.91
Kidd, Courtney, Art for Life Limelight Sept 2007 pp37-38
Clement, Tracey Put back the Naughty Mag,Son Sydney Morning Herald 28 Sept 2007
Jasper Adam, Primavera Frieze Magazine Nov-Dec 2007
Bihan Anne, Livres: Theatre Correspondances Oceaniennes Nov 2007, pp.12-13
Am I Missing Something at Gadens, Lawyers Weekly, Issue 219, Friday 26 Nov 2004